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Name |
Description |
Category |
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 | Bailey, Lynn | Print-maker using intaglio processes (etching, drypoint and collagraph), screen-printed details and monotype. | Printmaking |
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 | Baker, Colette | Colette uses a variety of craft skills to produce her unique stylised animal forms - carving, painting with oils and decorating with etched copper and gold leaf. | Printmaking |
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 | Beagley, Jill | Jill's woodcuts and linocuts are often inspired by her colourful surroundings, whilst her black and white monotypes and wood engravings portray the stark winter landscapes of the Devon and Dorset countryside. | Printmaking |
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 | Beresford-Williams, Mary | Mary's prints owe much to her other skills, which are painting and photography. | Printmaking |
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 | Chesterman, Merlyn | Woodblock printmaker with work capturing the spirit of place. | Printmaking |
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 | Deakin, Sue |
Susan uses a wide range of print-making techniques, making linocuts, woodcuts and etchings. | Printmaking |
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 | Holmes, Angela | Recently elected as a printmaker Member, Angela is also a Member as a stone carver. | Printmaking |
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 | Honnor, Michael | Michael's chosen process is stone lithography, in which a drawing is made with grease-based pencils and inks on to any absorbent stone. | Printmaking |
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 | Manning, Julia | For the past 10 years Julia has worked solely as an Artist/Printmaker, indulging her passion for etching and relief, lino and wood cuts, creating handmade limited edition prints. | Printmaking |
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 | Mason, Debby | Much of Debbie's inspiration comes from diving abroad and in her home waters of Plymouth Sound. | Printmaking |
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 | Molony, Emma | Associate Member. Emma layers various printmaking processes. | Printmaking |
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 | Newick, Pamela | The stimulus for Pam's work comes from the life model or the landscape, especially the juxtapositioin of the natural and the artificial in the landscape. | Printmaking |
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 | Paynter, Hilary | Wood engravings of dramatic landscapes and rugged coastal scenery, domestic observations, gentle pastoral scenes and acute socio-political comment. | Printmaking |
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 | Ripley, Simon | Abstract monoprints on handmade Japanese papers. | Printmaking |
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 | Rudling, Laurie | Laurie is an intaglio printmaker but also works in pastel, pencil, monotype and mixed media, reflecting his strong background in drawing. | Printmaking |
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 | Sanders, Jenny | Jenny is a water-colour painter, etcher, batik artist and illustrator. She is interested in light and colour... | Printmaking |
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 | Sanders, Rosie | Rosie is an established botanical artist. She has written and illustrated two books, The English Apple (1998) and Portrait of a Country Garden (1990) | Printmaking |
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 | Stafford, Sheila | Sheila worked in a variety of printmaking disciplines, including screen printing and stone lithography, before settling on etching as her main medium. | Printmaking |
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 | Tingle, Mike | Mikes present printmaking work is in drypoint and embossing becoming bolder and simpler but retaining a humorous vision moving towards wit and irony. | Printmaking |
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 | Treliving, Deborah | Deborah uses a wide range of printmaking techniques: screenprinting, relief printing, and intaglio, frequently using many processes within one piece of work. | Printmaking |
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 | Wain, Clody | Clody makes full use of the available range of print-making techniques, producing etchings, collographs, woodcuts, relief-prints and monoprints. | Printmaking |
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 | Wilson, Vincent | Vincent finds inspiration from many sources, including quarries, mines and moorland (and especially the dramatic changes wrought on them by snow) and images from Welsh legends. | Printmaking |
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