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Name |
Description |
Category |
|
 | Agar, Nick | Nick uses disfigured or wind-blown timbers, such as spalted beech, because they offer beautiful and unique grain effects and he feels strongly that the practice is environmentally acceptable. | Wood Turning |
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 | Baker, Colette | Colette uses a variety of craft skills to produce her unique stylised animal forms - carving, painting with oils and decorating with etched copper and gold leaf. | Wood Carving |
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 | Elmer, Chris | Contemporary sculptural explorations in wood. | Wood Carving |
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 | Firmager, Melvyn | Melvyn is a sculptural wood-turner, working mainly with green (wet) wood allowing it to take on its own material form as it dries. | Wood Turning |
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 | Gilding, Terry | Terry Gilding is an experienced professional tree surgeon and was inspired to take up wood turning by the interesting timber that he saw in the course of his work. | Wood Turning |
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 | Khosla, Paul | Paul’s interest is with turning large decorated bowls and platters that are both functional and ‘artistic’, and he is also exploring various sculptural themes. | Wood Turning |
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 | Morgan, David | David became a full-time wood sculptor in 1985 after working for ten years as an entomologist at the Natural History Museum. | Wood Carving |
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 | Regester, Dave | Dave uses English hardwoods such as Ash, Oak and Yew, partly because of the beauty of the grain and partly because he can be certain that the timber has been harvested without damaging the environment | Wood Turning |
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 | White, Don | Strong uncluttered forms along with an awareness and respect for the integrity of the timber are paramount to Don’s work. | Wood Turning |
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